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My personal art practises focuses to the camera as a spatial object and tool.
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The aesthetic properties of the image have a interdependent relationship in their making with the formal and technical controls of the camera.
I have disrupted and claimed the limited and fixed spatial properties, the interior space for the creation of in-camera imagery.
Capturing these interventions is a result of merging the exterior with the interior, the second the outside space imprints inside the camera, the moment of image recording, the physical barriers are permeated, and through this penetration an imprint of the intervention is documented.
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